A few pictures of Hannah, pulled from the archives; my favourite model, not just because she’s my grand-daughter but also because she’s so versatile.
Girl in a Red Scarf was a serendipity moment. Hannah was waiting to go on set when I noticed the drama created by the red wall, the scarf and her pink hair. This is literally a grab shot as she moved a few seconds later and the moment was gone. It did fairly well in the international Salons, garnering twelve acceptances and a Silver Medal.
Sunshine and Showers was taken for a competition at Beeston Camera Club. The category was Wet and Hannah’s young man was stood on a stepladder pouring water from a watering can. We hadn’t factored in the wind and she did get quite wet when gusts blew the water In her face. It was all for naught, as well, because I had to add rain in an overlay anyway. Not only that but the picture didn’t overly impress the judge on the night.
Geisha Girl was shot at my daughter Beverley’s home. I took my portable lights round and Hannah’s sister, Sian, painted her face. The flowers were a leftover bouquet from Mother’s Day which was languishing in he shop at half price so we made good use of them. It got accepted into five international Salons.
Wild Child and The Chase came about because I wanted to photograph Hannah’s dad’s Harley Davidson. We couldn’t get it into the studio (two flights of stairs) so Dave Severn arranged for us to use a small room in a car dealership. Wild Thing has only been sent out once (I stopped competing just after I made it) to a circuit in Finland, but it was accepted into three of the four Salons. The Chase has only seen the light of day at Beeston Camera Club where it scored 20/20.