FIVE FACES OF HANNAH

A few pictures of Hannah, pulled from the archives; my favourite model, not just because she’s my grand-daughter but also because she’s so versatile.
Girl in a Red Scarf was a serendipity moment. Hannah was waiting to go on set when I noticed the drama created by the red wall, the scarf and her pink hair. This is literally a grab shot as she moved a few seconds later and the moment was gone. It did fairly well in the international Salons, garnering twelve acceptances and a Silver Medal.
Sunshine and Showers was taken for a competition at Beeston Camera Club. The category was Wet and Hannah’s young man was stood on a stepladder pouring water from a watering can. We hadn’t factored in the wind and she did get quite wet when gusts blew the water In her face. It was all for naught, as well, because I had to add rain in an overlay anyway. Not only that but the picture didn’t overly impress the judge on the night.
Geisha Girl was shot at my daughter Beverley’s home. I took my portable lights round and Hannah’s sister, Sian, painted her face. The flowers were a leftover bouquet from Mother’s Day which was languishing in he shop at half price so we made good use of them. It got accepted into five international Salons.

GIRL IN A RED SCARF
GEISHA GIRL

Wild Child and The Chase came about because I wanted to photograph Hannah’s dad’s Harley Davidson. We couldn’t get it into the studio (two flights of stairs) so Dave Severn arranged for us to use a small room in a car dealership. Wild Thing has only been sent out once (I stopped competing just after I made it) to a circuit in Finland, but it was accepted into three of the four Salons. The Chase has only seen the light of day at Beeston Camera Club where it scored 20/20.

SUNSHINE AND SHOWERS
WILD THING
THE CHASE

GAIL FORCE

STAND AND DELIVER
VICTORIA
FEAR NOT THE DARK

I met Gail Noble through a multi-photographer / multi model day and was instantly impressed by her unique ability to lose herself completely in a character.

We went on to do a couple of shoots after that where we could explore different ideas, aided by the fact that she is also a very talented seamstress, able to create her own costumes, as in the portrait of Gail posing as Queen Victoria. The background to Her Majesty is an interior shot from Southwell Minster in Nottinghamshire.

We has fun with Stand and Deliver, making full use of a wind machine, although I’ve lost count of the number of people who have told me she’s holding the knife in he wrong way. She looked pretty determined to me so I wasn’t going to argue with her! All I did to this one was add a few trees and a bit of mist.

Fear Not the Dark was taken at the initial shoot mentioned above and is a (nearly) straight shot, only needed the addition of a flame in the lamp.

THE RED DRESS

Back in the days when we could go out and about without a care in the world, I had a three hour studio session booked with Hannah, my favourite model (and also my grand-daughter). I had quite a few different scenarios in my mind and decided to buy a dress off eBay for some of them. My eyes lit on this beautiful red dress with multi-frills on the skirt, a nipped in waist and a sprinkling of sparkles. Perfect! I just knew it would look fantastic on Hannah (I was right) and ordered it. Imagine my horror when it arrived in an A4 envelope, the material was nearly as thin as tissue paper and the whole thing was crushed beyond recognition.
When I tell you that I haven’t used an iron in over thirty years, you can understand why my first impulse was to throw it in the bin and put it down to experience. However, I set the ironing board up (well, Jan set it up. I didn’t know how to do it.) and spent a whole afternoon pressing the creases out of it. On the way to the studio, the dress had two seats all to itself as I was paranoid about it getting creased again.
Anyway, it photographed beautifully and I was delighted with the results. I still have quite a few frames from the day to work on so, hopefully, if my photographic mojo ever comes back I’ll revisit them.
The dress? I left it at the studio for another model to wear on another day. And I haven’t touched an iron since.

Left: Don’t Look Back. Right: The Party’s Over.

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