Posted on December 30, 2017
Just in from Foto Klub Novi Sad, the first acceptances of new images towards my FIAP / Gold accreditation. The model here is Mason, first in Peaky Blinders mode in Time Gone and then in Penance, a loose interpretation of the Atlas myth.
And this is Devonn in Through a Glass Darkly, part of a modern gangster set.
Finally, the really versatile and professional model, Rachelle Summer, as a Cabaret Dancer.
A handful of my older images also got accepted with a couple of awards, but they don’t count towards Gold, so will now be retired after a year’s hard work on my behalf.
Posted on October 3, 2017
… that is the question. More and more lately, I have been wondering about why we sharpen digital photographs. I don’t believe our eyes see the world with crisp, delineated outlines on every object in the scope of our vision. So, why the need to sharpen every picture we make until it “makes your eyes bleed”?
I think we have been subtly engineered by the photographic gurus and bloggers into thinking every element of a picture must be razor sharp … and I no longer believe it is so. This picture has had no sharpening applied. Admittedly, my eyes are probably a lot older than yours, but I feel it represents fairly accurately what I was seeing at the time I dropped the shutter. The model, Ellie, doesn’t have sharp edges and the whites of her eyes are not blindingly white, so why is it considered de rigeur to alter our photographs to give this illusion?