Posted on May 2, 2019
In April this year, I had the pleasure of judging a photography competition at the Nottingham Outlaws Photographic Society. I was more than a little surprised when this photograph popped up on the screen.
It really tickled my fancy, as I have never seen a show-jumping zebra! You’ve probably guessed what I failed to see on the night – it’s a very clever composite, created by Lois Webb! Below is a low-res version of the original picture and the zebra picture Lois used as inspiration in transforming the horse into a zebra.
Composites are one of my photographic passions, and Lois remarked, “I consider it a feather in my cap that you didn’t recognise my composite as such.” I think she deserves a handful of feathers for the great work she did on her picture.
The irony is, if I had recognised it as a composite, Lois would have had a much better score!
Posted on February 14, 2019
The mammoth task that is compiling records, creating proof sheets of the 55 images below and loading award-winning images on CD – all in pursuit of the accreditation EFIAP/Gold – is now finished. After I post it all off tomorrow, all I can do is wait, with bated breath (what is bated breath?), to find out if I have been successful. This will take a few months so, while I’m waiting, let’s see what the requirements are for the Platinum level …..
Posted on January 24, 2019
Although I spend a lot of time creating composites, I also enjoy portraiture work. On being asked recently how much work goes into a portrait, I replied, “Very little”. But, as often happens, that little question stuck in my mind and, conscious of how time can fly by when I’m engrossed in working on my computer, I decided to keep a record of just how many steps it required to move from “taking” a “photograph to “making” a picture.
This photograph of Mason, complete with clown make-up and wearing a bowler hat, had been lit in exactly the way I wanted it and then with the ‘right’ lens so, having ten minutes to spare, I thought I would just ‘tickle it up’ a little bit. Frame 1 in the screenshot below is the original RAW file in Lightroom, where I adjusted exposure etc fractionally. All other frames are either in Photoshop or Silver Efex. By taking a screenshot every time I made an adjustment, I soon realised that my spare ten minutes had stretched into an hour.
For a while now, I have been carrying out dodging and burning by using the Curves tool. For instance, to lower the whiteness of Mason’s shirt, adjusted in a Curves layer, reversed the mask and painted in the area required. By doing this, I accumulate quite a few Curves layers which require precise naming, if I want to back and adjust them. Frames 2 -8 are records of just such adjustments, as well as a mini crop, enhancing the black lines and painting in the rim of the hat. Frame 9 is a flattened layer, where I used the healing brush and the clone tool to neaten up the image. Frames 10 – 11 are where I copy-pasted a small section of the hat brim, reversed it and added to to the other side of the hat where there had been a break in the fabric.
Frames 12 – 14 are a series of small adjustments in Liquify where I gave Mason’s mouth a bit of a down-turn, narrowed his eyes a little and changed his jawline, all in pursuit of making him appear a little meaner. Frame 15 – 16 reflect an excursion into Silver Efex to render the image into monochrome. Once this had been saved back into Photoshop as a layer, I masked off all of it except Mason’s face, making the ‘whiteface’ more startling.
The strangely coloured swirls in Frame 17 are a picture of waste printers’ ink I took many moons ago when I was gainfully employed. I overlaid this as a layer, choosing Pin Light at 45% and masking off Mason’s face to give the effect you see in Frame 18. Mason’s eyes are heterochromatic (one is green, the other is brown) and Frame19 is a Curves layer to enhance the colour … Frame 20 is the finished article.
As I said, just a bit of a tickle up …
Posted on January 23, 2019
Jay is many things … an actor, a model, an entrepreneur, a man who makes things happen and a dead pirate captain. This is a small selection from a morning in the studio with Jay, some are composites and some are pretty well straight from the camera, and all are a reminder that you just never know what is going to happen in the next few hours.
Clockwise from the top: Haunted by the Past, Rings On My Fingers, Don’t Give Up On Me (with Amanda Sills), Looking Back, What Shall I Knit Next? and Born to Rock.
Posted on November 16, 2018
Posted on April 27, 2018
This is Mason, a toughie on the football field and confident enough to pose naked, knowing the finished photographs would be exhibited internationally. My aim was to create a loose interpretation of Atlas, bearing the world on his shoulders. So far so good.
To spare my female blushes, his fiancee was on hand to make sure no dangly bits would intrude into the picture. After much discussion, while I waited with my back turned, I heard the words, “duct tape” and “Nooooo!”.
Well, yes, the duct tape was used and there were muted screams (of pain) and a few tears (of laughter) but said dangly bits were neatly tucked away and the photographs were taken. So far, Penance – as it was eventually named – has won a couple of awards, so I think it was worth all the anguish.
Not quite sure what Mason would say, though.