GAIL FORCE

STAND AND DELIVER
VICTORIA
FEAR NOT THE DARK

I met Gail Noble through a multi-photographer / multi model day and was instantly impressed by her unique ability to lose herself completely in a character.

We went on to do a couple of shoots after that where we could explore different ideas, aided by the fact that she is also a very talented seamstress, able to create her own costumes, as in the portrait of Gail posing as Queen Victoria. The background to Her Majesty is an interior shot from Southwell Minster in Nottinghamshire.

We has fun with Stand and Deliver, making full use of a wind machine, although I’ve lost count of the number of people who have told me she’s holding the knife in he wrong way. She looked pretty determined to me so I wasn’t going to argue with her! All I did to this one was add a few trees and a bit of mist.

Fear Not the Dark was taken at the initial shoot mentioned above and is a (nearly) straight shot, only needed the addition of a flame in the lamp.

FADED DREAMS

Over the Christmas and New Year period, we watched a lot of old films on television, including Sunset Boulevard, starring the wonderful Gloria Swanson. It’s one of my all-time favourites and I had it firmly in mind while making the photograph below. The model, who I only ever knew as Peaches, was perfect for what I wanted and this somewhat unconventional portrait – Faded Dreams – became one of my favourites.

THE RED DRESS

Back in the days when we could go out and about without a care in the world, I had a three hour studio session booked with Hannah, my favourite model (and also my grand-daughter). I had quite a few different scenarios in my mind and decided to buy a dress off eBay for some of them. My eyes lit on this beautiful red dress with multi-frills on the skirt, a nipped in waist and a sprinkling of sparkles. Perfect! I just knew it would look fantastic on Hannah (I was right) and ordered it. Imagine my horror when it arrived in an A4 envelope, the material was nearly as thin as tissue paper and the whole thing was crushed beyond recognition.
When I tell you that I haven’t used an iron in over thirty years, you can understand why my first impulse was to throw it in the bin and put it down to experience. However, I set the ironing board up (well, Jan set it up. I didn’t know how to do it.) and spent a whole afternoon pressing the creases out of it. On the way to the studio, the dress had two seats all to itself as I was paranoid about it getting creased again.
Anyway, it photographed beautifully and I was delighted with the results. I still have quite a few frames from the day to work on so, hopefully, if my photographic mojo ever comes back I’ll revisit them.
The dress? I left it at the studio for another model to wear on another day. And I haven’t touched an iron since.

Left: Don’t Look Back. Right: The Party’s Over.

THE DANDY

It’s been a long time since I did any work in Photoshop and Lightroom, so I spent a pleasant afternoon yesterday on this studio portrait from just over a year ago at Studio 3 by Severn. It helped that the sun was shining briefly and for a short period of time I could imagine I was indoors by choice.

%d bloggers like this: