FROM PHOTOSHOOT TO COVER

When I first photographed fifteen-year-old Devonn three years ago, I hadn’t even an inkling that I would start a secondary career as a self-publishing author. Having cut my literary teeth on my first novel, Circles of Confusion, I embarked on the much longer, more complicated Ashes on the Tongue which tells the story of Fen, a young girl in Northern Ireland in the 1950s, just before The Troubles really took hold. I always saw Devonn as Fen and a quick look through my archives revealed the first picture on the left which I thought was perfect. The strip below shows the progression from the original photograph to the processed version to the cover design and, finally, to the first advertisement after the book was published. The font used for the title is called Requiem and I liked it so much, I have used it for all my covers. As the sequel to AshesThen Sings My Soul – is well under way, it looks like I’ll soon be having another trawl through the archives.

JUST LOOK AT MY GIRLS!

LATEST COVER FOR ‘ASHES’

With a publication date of 1st June firmly established, I really need to settle my mind on a cover. This is the latest (not the last) version and has a (sort of) blurb. Although I love the picture of the old farmhouse, I had quite a bit of feedback saying it wouldn’t have any impact at thumbnail size.
One person said she’d love to read the book but would have passed over the thumbnail. So I’ve reintroduced Devonn, who is so like Fen in my mind’s eye.

ashes on the tongue

novel

historic

RAPID EYE MOVEMENT

RAPID EYE MOVEMENT
AMANDA SHERIDAN

Rating: 5 out of 5.

Jennifer and her husband, Ilan, are fleeing for their lives through the night in Cyprus. A high speed car crash leaves her critically injured with a head wound.
Lucy steps in a rabbit hole on a hillside in Yorkshire, whilst out photographing landscapes and acquires a head injury that sees her lapse into a coma.
And so begins a very tightly plotted story, centred round the lives of the two women and their husbands.
The early part of the book sets up the events immediately before the accidents.
The section dealing with Jennifer has a sharpness and clarity suited to the hectic drive through dark roads. At times, the sentences are almost staccato. Yet Sheridan manages to feed in enough information to give us an idea of Jennifer’s character, particularly her coolness under stress, even though consumed with fear.
Leaving Jennifer’s story just after the point of impact (and there is a great bit of foreshadowing there for the discerning reader), attention turns to Lucy, her husband Charlie and their two daughters. The writing style changes almost imperceptibly here to a softer, more gentle tempo as we gather details of Lucy’s domestic life and her

burgeoning career as a photographer.
The book now becomes a series of dream sequences where the two women’s lives unfold, so vivid that at times they almost feel as if they were a part of the other’s life. It’s not a long book and some of the chapters are quite short, but I was always aware of which woman’s story I was in. The two characters are very distinctively drawn.
Although this book is promoted as Romance combined with Mystery, it’s more than that. There is Romance, certainly. Ilan and Charlie are both charismatic figures in their own way and we’re treated to a few intimate moments, which are sensitively done. The mystery element is very strong; some parts reminded me of a cosy mystery, especially the excellent descriptive passages but, by the time I passed the halfway mark, I felt the plot was heading into thriller territory at times.
When Sheridan begins to tighten the strands of this book, she does it so subtly that the “OMG! I get it!” moment really is a revelation. Suffice to say, this is no ordinary tale and I guarantee you won’t see the end coming until the author chooses to reveal it. One of the very few books that will go on to my To Be Read Again list.

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