Posted on January 27, 2021
⭐⭐⭐Rating: 3 out of 5.
Three brothers – William, Brian and Luke – take turns in narrating the story of their childhood, their careers and love lives. Nugent does a good job of telling the same story from three different viewpoints and, because of this, the story becomes fully fleshed out with many small twists and turns.
The brothers co-exist uneasily and, at times, bitterly dislike and resent one another. As they grow older, they betray each other in many ways – socially, morally, financially and in the bedroom. In short, they are unpleasant and unlikeable characters. As is their mother who is vain, prideful and selfish.
The book is a slow burner, teasing out the story in flashbacks which were a little hard to comprehend sometimes. Within each brother’s story the timeline ricocheted alarmingly back and forth between their childhood and later years.
This meant that, having learnt of one of the betrayals, we were then taken back to the events leading up to it, sometimes more than once as each brother gave their version of it.
The book began with the funeral of one of the brothers (as yet unnamed) and the conclusion was the revelation of which one it was. By then, I didn’t really care anymore. There wasn’t a single redeeming feature among the three of them.
I felt the book leant too heavily on the terrible things the brothers did to each other; I wanted some light moments here and there to show that they weren’t complete monsters. There isn’t even a ray of hope for future generations at the end.
I voluntarily read and reviewed an advanced copy of this book. All thoughts and opinions are my own.
Posted on January 6, 2021
⭐⭐⭐⭐⭐Rating: 5 out of 5.
Jennifer and her husband, Ilan, are fleeing for their lives through the night in Cyprus. A high speed car crash leaves her critically injured with a head wound.
Lucy steps in a rabbit hole on a hillside in Yorkshire, whilst out photographing landscapes and acquires a head injury that sees her lapse into a coma.
And so begins a very tightly plotted story, centred round the lives of the two women and their husbands.
The early part of the book sets up the events immediately before the accidents.
The section dealing with Jennifer has a sharpness and clarity suited to the hectic drive through dark roads. At times, the sentences are almost staccato. Yet Sheridan manages to feed in enough information to give us an idea of Jennifer’s character, particularly her coolness under stress, even though consumed with fear.
Leaving Jennifer’s story just after the point of impact (and there is a great bit of foreshadowing there for the discerning reader), attention turns to Lucy, her husband Charlie and their two daughters. The writing style changes almost imperceptibly here to a softer, more gentle tempo as we gather details of Lucy’s domestic life and her
burgeoning career as a photographer.
The book now becomes a series of dream sequences where the two women’s lives unfold, so vivid that at times they almost feel as if they were a part of the other’s life. It’s not a long book and some of the chapters are quite short, but I was always aware of which woman’s story I was in. The two characters are very distinctively drawn.
Although this book is promoted as Romance combined with Mystery, it’s more than that. There is Romance, certainly. Ilan and Charlie are both charismatic figures in their own way and we’re treated to a few intimate moments, which are sensitively done. The mystery element is very strong; some parts reminded me of a cosy mystery, especially the excellent descriptive passages but, by the time I passed the halfway mark, I felt the plot was heading into thriller territory at times.
When Sheridan begins to tighten the strands of this book, she does it so subtly that the “OMG! I get it!” moment really is a revelation. Suffice to say, this is no ordinary tale and I guarantee you won’t see the end coming until the author chooses to reveal it. One of the very few books that will go on to my To Be Read Again list.
Posted on January 3, 2021
⭐⭐⭐⭐Rating: 4 out of 5.
Unintended Consequences is a dark, twisty, innovative thriller. It’s Ben Smith’s story, told in the first person and directly addressed to the reader. He’s not a hero. He’s not even an anti-hero. His conscience gave up on him a long time ago and briefly surfaces, only to disappear again under the weight of his immoral choices.
D.I.Hills has created a memorable character in Smith, a man who has waited seven long years before beginning his attempt at revenge and retribution. The reason for this is teased out slowly over the opening chapters and, although Hill’s conversational tone may not be to everyone’s taste, I was pulled in straight away and never felt his style to be intrusive or detrimental to the plot.
He has a rich cast of secondary characters, fully fleshed out but seen only through Smith’s somewhat distorted viewpoint which only serves to heighten the interest in them – for as long as Hill allows them to live. Because the strapline pointing out that this is a dark thriller doesn’t lie. There is a high body count, some of them in flashback. I laughed out loud, felt deep compassion and was rendered queasy at Hill/Smith’s recounting of how the characters were dispatched.
I was continually reassessing Smith’s character as I read. As soon as I thought I knew him, another layer was revealed which cast him in a completely different light.
He is one of the most complicated characters I have read in contemporary thrillers.
Interesting and engaging as the plot and characters were, I was repeatedly pulled out of the story by long discursions on a variety of subjects. These were very well written and a massive amount of research must have gone into the creation of them but they smacked of pop psychology or pseudo philosophy. Sometimes they worked but at other times just went on a little too long and verged on the preachy. Another reader may appreciate this device.
There is a very good twist near the end that I didn’t see coming and caused quite a sharp intake of breath. The ending itself disappointed me because I thought it was out of character for the Smith that had been revealed to me during the course of the novel.
As a storyteller, Hill pulls the reader into Smith’s story with a mixture of cynicism and black humour. He is a master of the twisty turn and of revealing barbarous details in the most matter of fact way, thereby enhancing the underlying horror.
I admit to skipping some of the long seemingly unrelated pages, but I will remember Ben Smith’s story for a long time and will investigate more of D.I.Hill’s work
Thank you to REEDSY DISCOVERY for an ARC in return for an honest review.
Posted on January 2, 2021
⭐⭐⭐⭐⭐Rating: 5 out of 5.
After the loss of his parents, young Jack Thatch first met Stella as a child—this cryptic little girl of eight with dark hair and darker eyes, sitting alone on a bench in the cemetery clutching her favorite book. Gone moments later, the brief encounter would spark an obsession. She’d creep into his thoughts, his every waking moment, until he finally finds her again exactly one year later, sitting upon the same bench, only to disappear again soon after.
The body of a man found in an alley, every inch of his flesh horribly burned, yet his clothing completely untouched. For Detective Faustino Brier, this wasn’t the first, and he knew it wouldn’t be the last. It was no different from the others. He’d find another just like it one year from today. August 9, to be exact.
Isolated and locked away from the world in a shadowy lab, a little boy known only as Subject “D” waits, grows, learns. He’s permitted to speak to no one. He has never known the touch of another. Harboring a power so horrific, those in control will never allow him beyond their walls.
All of them linked in ways unimaginable.
I was drawn to this novel for a couple of reasons. One, because I had read and loved the
Fourth Monkey series and, secondly, because I immediately picked up a King/Koontz vibe from the synopsis. These two things practically ensured this would become one of my favourite books.
Upon beginning the book, I pretty soon realised that it was very loosely worked around a classic novel. I won’t say which one because it’s a great moment when the penny drops. Needless to say, what Barker had done lifts it into another realm and dimension.It’s a slow build, but not boring – everything comes back later with massive relevance.
I was surprised more than once at how events crept up on me and I thought, “Of course, I should have seen that coming.” But you won’t.
A small criticism relates to the villains of the piece. The structure and reasoning behind the set-up is impeccable but the portrayal of the ‘foot soldiers’ strained my credulity a little. It didn’t detract from the story but did cause a slight stutter.I read this on a free download from Kindle Unlimited but have now ordered a hard copy, because I will read it again one day – after I have read the classic that inspired it. I’m sure I will see it with new eyes and enjoy it even more.
Circles of Confusion
Published June 2020
Ashes on the Tongue
To be published
The Five Faces of Hannah
A Successful Failure
Practice, Practice, Practice
Up. Up and Away
Up,Up and Away
Mike the Model
A Little Bit of Ballet
The Red Dress
In Black and White
Lens Baby Tulips
Clowns to the Left of Me
As the Crow Flies