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It’s getting near the publication date for my cosy mystery, Albert’s Garden – not written in stone yet (excuse the unintentional pun) but definitely well before Christmas.
I’m thinking of a minimal feel for the cover design, as it’s under a pen name and quite different to my previous books.
This is my first effort and I know it will change quite a few times before I reach the final version.
Just got my hands on a hardback version of
Ashes on the Tongue, a beta option being rolled out by Amazon.
Delighted with the quality.
Unfortunately, I can’t keep it as it’s on the way to a reader in Northern Ireland after I’ve signed it.
A small selection of the many messages I’ve received about Ashes on the Tongue. Thank you to all the lovely ladies who took the time to contact me. 💕 Buy here as eBook, Paperback or Hardback .
With a publication date of 1st June firmly established, I really need to settle my mind on a cover. This is the latest (not the last) version and has a (sort of) blurb. Although I love the picture of the old farmhouse, I had quite a bit of feedback saying it wouldn’t have any impact at thumbnail size.
One person said she’d love to read the book but would have passed over the thumbnail. So I’ve reintroduced Devonn, who is so like Fen in my mind’s eye.
A few initial ideas for the cover of Ashes on the Tongue. I lean towards the centre one, followed by the far right, although I grieve for the bits of the painting I had to chop off. The orange text is a big mistake! That will definitely go. The font is Optima which was designed in the 1950s, the era the book is set in.
I’m blown away today by the arrival of this image to be used on the cover of Ashes on the Tongue, due for publication around Easter time this year. It is an original painting by Northern Irish artist, George A Gourley, showing a derelict house on the Tirkane Road, Maghera which is near Londonderry. I’m not quite sure how I’m going to use it yet – there are lots of ideas buzzing round in my head. Many thanks to George Gourley for giving me permission to use his painting.